They often fall prey to humility of intelligence, seeking cooperation rather than the competition that external influences limit the currents and eddys of style in order to profit from a predictable controlable consumer audience. Indeed we know this type as the sensate, the creators, the artist! Woe to them as they now walk an often uncharted path as they succumb to the strife of secure livlihood yet unto their selves and all dimemsions their responsibility knowing that their work has to exist and preferably demonstrated more so than simple vanity or attention seeking. The effecient hypercomplexity of archetypal glyphs is felt through all expression but crystallized and communicable by those willing to communicatecand relenquish their intent and interaction.They then act as strange attractors effortlessly influencing space/time and collective conciousness. The awareness of the varied often unique phenomena leads towards both composing and recieving meaningfulness, that being the true sustinence of the soul. The band was also sued by Royal Crown Cola and won that suit.The feedback influence upon ones psyche upon the fractal of multiverse is evident and astounding. In accordance with a July 1998 settlement, the latter band changed its name to the Amazing Crowns in exchange, the Revue agreed to drop the lawsuit. įrom 1996 through 1998, the Royal Crown Revue was engaged in a lawsuit with the Amazing Royal Crowns after much confusion with promoters. Īfter appearing in the movie The Mask, Royal Crown Revue began a residency at the Derby in Los Angeles. Other members included Daniel Glass, Scott Steen, James Achor, Veikko Lepisto, and Bill Ungerman. The band included Stern's brothers Jamie, Adam, and Shawn, who were members of the punk band Youth Brigade. The band was founded by Mark Stern, Eddie Nichols, and Mando Dorame out of their love of rockabilly, punk, jazz, and blues.
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